
MICROPHONES:
Studio condensers, lapels, hand helds, lectern, shotguns, head worn, instrument, underwater, stereo, parabolic
reflectors and PZM style microphones. Selection advice from industry professionals.
Studio Condenser Microphones:
• AKG C414 B-ULS the general-purpose microphone. The C414, in use for years as the general-purpose
microphone for vocal and instrument recording, has been further improved again.
• DPA 4006 omni-directional condenser mic. The DPA 4006 omni directional (pressure gradient) microphone is
a 16mm diameter pre-polarised condenser microphone designed for moderate SPL applications.
• DPA 4011 cardioid condenser mic. The DPA 4011 cardioid microphone is a 19mm diameter pre-polarised
condenser microphone with a first-order cardioid pick-up pattern.
• Neumann KMS 150 vocalist microphone. The KMS 150 is a FET 100 series condenser microphone that has
been expressly designed for use by vocalists or for close-microphone positions on instruments. It has a
hypercardioid polar pattern.
• Neumann TLM170 studio condenser microphone. The TLM 170 studio condenser microphone is provided with
transformerless circuitry for high sonic purity.
• Neumann USM 69i stereo microphone. The world-standard, stereo condenser microphone with built in
directional pattern selectors – choose from omni-directional, wide-angle cardioid, standard cardioid, hypercardioid
and figure-eight.
• RØDE “Classic” tube microphone. This Australian-made (but world renowned) valve microphone is
beautifully-crafted and absolutely stunning. The “Classic” is destined to be the first choice for critical vocal
and instrument recording.
• Schoeps CCM-4 classic compact cardioid mic. This is the smallest classic (cardioid) condenser microphone
(45mm in length). It has a cardioid pattern and comes complete with a sturdy permanently-attached five-metre
cable, a swivel mount and a small model TC desk stand.
• Schoeps CCM-41 classic compact hypercardioid mic. The Schoeps CCM–41(hypercardioid) is the smallest
classic condenser microphone (at just 45mm in length). This mic is strongly directional strongly directional. Sound
arriving from off axis is attenuated even more than with a cardioid. The pickup is ‘drier’ and less susceptible to
acoustic feedback than any other SCHOEPS microphone type.
• Schoeps CCM-8 compact figure 8 pattern mic. This microphone type is a true dipole transducer, operating with
a single diaphragm. The main axis of its bidirectional pickup lies at right angles to its cylindrical axis, and is
marked at 0° and 180° with a red and a black dot respectively.
• Sennheiser MKH 40 P48 cardioid microphone. This is a cardioid studio condenser microphone and has a wide
range of applications. It is especially good in less-than-ideal acoustic environments because of its accurate
cardioid pattern, which is remarkably consistent down to the very lowest frequencies.
• Shure KSM 32 cardioid condenser studio microphone. A single-diaphragm, cardioid condenser microphone
for highly critical studio recording and live sound productions. It produces an open, natural sounding reproduction
of the original sound source.
Clip-On Microphones:
• DPA 4061 miniature microphone - Miniature omnidirectional condenser microphone. Available in black or flesh
colours.
• Sanken COS-11
ultra - miniature lapel microphone - The Sanken COS-11 BK is an ultra - miniature lapel
microphone with a unique vertical diaphragm design.
• Sennheiser MKE 104-P (P48) mini mic with a cardioid capsule - A robust condenser clip-on module mini-
microphone with a cardioid capsule for top sound quality and better rejection of unwanted background noise.
Supplied with a 1.5 metre cable. Powered by P48 phantom power.
• Sennheiser MKE 2-P (P48) omni-directional condenser mic - A robust condenser clip-on microphone with
omni-directional characteristics for top sound quality. Supplied with a 1.5 metre cable. This model MKE 2 can now
be powered by P48 phantom power.
• Sony ECM – 77 ultra miniature, omnidirectional lavaliere mic - The industry standard for clip-on microphones.
Ultra Miniature, Omnidirectional Lavaliere - Inconspicuous Design For Film And TV Production - Extended 40-
20000 Hz Frequency Response
• The TRAM® TR50 miniature lavalier microphone - The TRAM® TR50 miniature professional lavalier
microphone answers the needs of even the most demanding sound recording engineer. It has been designed with
the latest electret development and electronics technology, to provide high sound quality with little or no visibility.
Lectern Microphones:
• Clock Audio C800E mini shotgun condenser mic - A 12" (300mm) flexible extension (miniature gooseneck)
condenser microphone designed primarily for mounting on lecterns, pulpits, or conference tables. It has a wide
frequency response (50Hz to 18kHz), hypercardioid pickup patternand is phantom powered.
• Countryman Isomax IV podium microphone - Compatibility with any wireless transmitter - Omnidirectional
Pattern - 20 - 20kHz (flat cap) frequency response - balanced, maximum SPL 145dB - 9V to 48V Phantom Power
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