Sennheiser DSP 360 - SHORT Manual de usuario descargar pdf (Pagina 15)

• dbx Model 1066 Stereo Compressor / Limiter / Gate - Whether you’re looking for “heavy” compression or more

subtle gain-control, the dbx 1066 stereo compressor/limiter/gate with selectable hard-knee or OverEasyTM

dynamics is ideal.

• dbx Model 160A Compressor / Limiter - The dbx 160A is the latest generation of the legendary dbx 160 family

of compressor / limiters. The same classic sound, easy set-up and easy-to-read metering are now married to an

improved signal path and stronger chassis design. The result is the new industry-standard compressor / limiter

which is digital-ready and road tough.

• dbx Model 2231 Equaliser-Limiter - The dbx 2231 is a dual thirty-one band graphic equaliser with in-built

limiters and noise reduction. Features include switchable 6dB or 12dB boost and cut, variable high-pass and low-

pass filters, hard-wire bypass and balanced barrier-strip, XL and TRS inputs and outputs, all mounted in a

compact 3RU package.

• Drawmer Gate - The Drawmer DS201 is a dual-channel gate that may be used as two independent channels or

linked for true stereo operation. In addition to its function as a gate, the DS201 also has a ducking mode and has

many creative applications in addition to its ability to gate out unwanted noise and cross-talk.

Multi-Effect Processors:

• SPL Model 9629 Auto Dynamic De-Esser - The SPL 9629 Auto-Dynamic de-esser is a very clever device that

automatically finds the offending male or female sibilant frequency, and notches it out. It is as simple as selecting

“male” or “female”, and this unit does the rest

• TC Electronic Finalizer - This easy-to-use processor allows you to creatively control the dynamics of your final

mix. The use of a three-band compressor, limiter and expander makes the dynamics section of the Finalizer

extremely flexible, while maintaining the fidelity of the original material. In combination with a “normalizer” and an

in-built five-band equaliser, the Finalizer gives you a very powerful tool to complete the all-important final mix

• The Classic Vitalizer - Through an ingenious combination of dynamic equalisation, amplitude controlled phase

correction and harmonic filtering, the SPL Classic Vitalizer realises the full potential of the entire audio spectrum.

It features a DEEP button allowing unprecedented control over the bass frequencies by broadening the

processing range of the SUB BASS control

• The Stereo Vitalizer - Through an ingenious combination of dynamic equalisation, amplitude controlled phase

correction and harmonic filtering, the SPL Stereo Vitalizer realises the full potential of the entire audio spectrum.

The controls have been streamlined to give easy access to the unit’s maximum tonal flexibility. This frees you to

get on with the task at hand - to be creative with sound

• Yamaha SPX990 Multi-Effect Processor - The SPX990 offers eighty pre-set effect programs including accurate

simulations of natural reverberation with variable early reflection, delay and echo effects, modulation effects, pitch

change, sampling programs that can loop playback, and much more. You can even create and record custom

effects for later use.

Pre Amplifiers:

• The dbx 386 Dual Vacuum Tube Preamp - with digital output capabilities offers the classic smooth and warm

qualities of tube microphone pre-amplification, combined with the dbx Type IV™ conversion system for analogue

and digital recording.

MICROPHONE SUPPORT SYSTEMS:

J.L.Fisher 2/3 Studio Booms. The ONLY Fisher Booms available in Australia. Rental in Sydney and Melbourne. Experienced

audio boom operators also available / K&M microphone stands/arms, Manfrotto Super Clamps, MT&A custom limpet mounts /

Aluminium and carbon fibre ‘Fishpole’ booms from Panamic, Lightwave and Boomshadow.

Studio Booms:

• Studio Booms J.L. Fisher Model 2/3 - Three complete “2/3” booms are available. The “2/3” is eminently suitable

for use either in the studio or on location for film and TV production. Available in Melboune, Brisbane and Sydney!

*Experienced studio boom operators available if required. “Rare spares” for Mole-Richardson booms available.

Boom technicians available to service booms of either make.

• Boomshadow VDB604 - Rigid, light and strong, they benefit from the recent technologies in carbon fibre winding

and the experience of fourteen successful years of supplying the most demanding operators.

• Lightwave - Telescopic fish-pole booms long and short.

• Panamic Carbon Fibre Boom - Long telescopic carbon fibre fish-pole boom – extra light!

Microphone Support Systems:

• Konig & Meyer (K&M) - Industry-standard Konig & Meyer folding telescopic microphone stands with boom arms:

the best available!

• Manfrotto Super-Clamps - These handy devices are perfectly suited to a number of mounting applications

where the surface is either soft or slippery. It consists of two rubber-faced jaws shaped to grip circular or square

objects like lighting grids or ground-support drape kits.

• MT&A Custom Limpet Mounts - This is one of Murray’s clever adaptations using a standard Limpet suction-

mount as normally used by Grips to mount camera rigs on cars. MT&A has modified these with a T–piece

attachment that provides two standard 3/8-inch microphone stand threads. They are great for mounting radio-

microphone antennas or effects microphones. The Limpet mount will stick ONLY to perfectly flat surfaces like

glass or sheet metal. What new use can you find for this ingenious device?

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